{"id":206,"date":"2009-11-07T21:59:02","date_gmt":"2009-11-07T19:59:02","guid":{"rendered":"https:\/\/www.annapetrova.com\/en\/?p=206"},"modified":"2009-11-06T13:57:57","modified_gmt":"2009-11-06T11:57:57","slug":"friedrich-kalkbrenner-7","status":"publish","type":"post","link":"https:\/\/www.annapetrova.com\/en\/2009\/11\/07\/friedrich-kalkbrenner-7\/","title":{"rendered":"Friedrich Kalkbrenner (1785-1849) – Part 7"},"content":{"rendered":"

After some biographical information as if he wanted to prove that Kalkbrenner had not only a nasty character, but was a mediocre musician as well, Mr. Nicholas inquires and answers himself: \u201cWhat was he like as a pianist? Much can be gleaned from listening to the two concertos on this disc, written specially to show off every aspect of his technique \u2013 elegant execution <\/em>(can one judge Kalkbrenner\u2019s interpretation by listening to Howard Shelley\u2019s?), rapid, even finger-work, emotionally and dynamically limited<\/em>\u201d (and again – whose interpretation is limited – Kalkbrenner\u2019s? H.Shelley\u2019s??). It seems to me that now Mr. Nicholas mixes it up completely. Not because of listening too long to Kalkbrenner\u2019s music. No, but because Nicholas tries to stretch blindly copied phrases to make his point. Compare – from Harold Schonberg\u2019s book \u201cThe great pianists\u201d: \u201cHis <\/em>(Kalkbrenner\u2019s) playing might have been EMOTIONALLY AND DYNAMICALLY LIMITED, but there could be no denying the polish, elegance and accuracy of his performances<\/em>\u201d.<\/p>\n

Now for a fairer \u201cgleaning\u201d I suggest to use a Kalkbrenner\u2019s contemporary opinion, made just the year when he presented his first concerto in Europe. A contemporary whom I trust – the 19 -years old Fanny Mendelssohn. From her letter to Felix Mendelssohn: \u201cWir h\u00f6ren ihn oft und suchen von ihm zu lernen. Er vereinigt die verschiedensten Vorz\u00fcge in seinem Spiel: Pr\u00e4cision, Klarheit, Ausdruck, die gr\u00f6sste Fertigkeit, die unerm\u00fcdlichste Kraft und Ausdauer. Er ist ein t\u00fcchtiger Musiker und besitzt einen ertaunlichen Ueberblick<\/em>.\u201c – \u201eWe listen to him often and try to learn from him. He unites the various merits in his playing: precision, clearness, expression, the greatest dexterity, the most surprising strength and endurance. He is a proficient musician and posses an astonishing survey<\/em>.\u201d
\nAnd this is Chopin speaking: \u201cIf Paganini is perfection, Kalkbrenner is his parallel, only in a different way<\/em>.\u201d<\/p>\n

Last glance at the booklet and I started to feel pity not only for Kalkbrenner but for poor Howard Shelley too – for besides all the rest Kalkbrenner was \u201cfairly merciless in his demands on both fingers and stamina – there are few opportunities for Mr. Shelley to take his hands from the keyboard once he has begun<\/em>\u201d. One could just imagine exhausted Howard Shelley, complaining over a bottle (or two?) of wine his \u201cmerciless job\u201d to understanding, sympathizing Jeremy Nicholas\u2026<\/p>\n

But seriously, how was it possible to unite in the same CD presentation two completely opposite attitudes?! This will remain a mystery for me.<\/p>\n

Nevertheless, there is one important lesson I learned from Mr. Nicholas \u2013 think twice<\/em> before asking somebody to write your booklet text!! Especially if you intend to play some unknown music you are fond of.<\/p>\n

And now it is time to listen to Howard Shelley with Kalkbrenner\u2019s first piano concerto, first movement:<\/p>\n

[youtube]http:\/\/www.youtube.com\/watch?v=zhjam_ySSQI[\/youtube]<\/p>\n","protected":false},"excerpt":{"rendered":"

After some biographical information as if he wanted to prove that Kalkbrenner had not only a nasty character, but was a mediocre musician as well, Mr. Nicholas inquires and answers himself: \u201cWhat was he like as a pianist? Much can be gleaned from listening to the two concertos on this disc, written specially to show […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/posts\/206"}],"collection":[{"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":3,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/posts\/206\/revisions"}],"predecessor-version":[{"id":240,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/posts\/206\/revisions\/240"}],"wp:attachment":[{"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/media?parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/categories?post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.annapetrova.com\/en\/wp-json\/wp\/v2\/tags?post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}